The Sari ménage

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Wardrobes are keepers of memories, creating an anthology of our lives and experiences, through each piece. In India, many women love to collect saris that is the most versatile and classic clothing of the sub-continent. Peeking into an Indian woman’s wardrobe one can find a symphony of textures and colours. In these unstitched textiles, memories evoke stories of who gave it, where it was first worn filled with many anecdotes. Often hung with symmetry and sometimes paired with matching and contrasting blouses, saris in these elaborate wardrobes reflect the wearer’s identity and history. The sari is about family, togetherness, and belonging. It speaks of personal experiences, day-to-day routine and social interactions.

A newly bought sari-friend is welcomed into the wardrobe, eventually mingling with the old ones, becoming kith and kin just as in a household. 

A sari not only wraps and embodies its wearer but also ties and binds her to an extended family of tailors and launderers. This tie remains as long as the sari continues to be worn. The intertwined relationship of the woman with her go-to tailor and launderer is threaded with each sari she possesses. A darji (tailor) and a dhobi (launderer) are small occupations in every residential corner street of an Indian town. Imagine a narrow store with an open counter and about half a dozen tailoring machines sprinkled with colourful trimmings all over the floor, the walls decorated with freshly cut and sewn sari blouses and kurtas hanging next to each other waiting to go home to their new family wardrobe.

A scene of coloured fabrics tinted with a smell of sewing machine lubricants, populated with familiar faces of women clients visiting since two or three generations; the shop becomes a nursery for these sari blouses. The darji wearing his measuring tape as a signature accessory keeps a set of catalogues with illimitable design ideas for blouses - borders on the sleeves, a buti on the back, a bandhgalla collar or dainty piping on the neckline. Sometimes they offer extra services like alterations and adding a Fall-Pico on the sari - ‘Blouse, Fall, Pico’ being the quintessential sign advertised on the shop facade

The dhobi becomes another family member as he takes care of her saris. He nourishes them with starch water; often the leftover water from boiled rice is used to soak them. His weekly visit to starch, wash, dry and iron a pile of cotton saris becomes a ritual, generation after generation. Many dhobis are found on alternating streets usually under a tree, established with a wide makeshift plywood table layered with clothes to mimic an ironing board. They use a charcoal iron box as it enables them to work free of electricity, essentially as they work outdoors. The frequent power cuts during working hours are another advantage of using charcoal irons. In some cities, dhobis have a cluster where they wash and dry out in a collective open-air laundromat or what is called a dhobi ghat. 

Whilst celebrating many cultures in India, festivals harness the essence of new clothing each year. Be it Eid, Navratra, Durga Puja, Dassehra, Diwali; festivities bring a sense of urgency in preparing the right outfit. A new sari blouse or taking out a special sari, that once belonged to grandmother, to be steam-ironed for the occasion; the tailors and launderers go through an exceptionally busy time. The hustle, the chaos, the mishaps in fittings become a common sight during this season. Imagine a family preparing for a big wedding day. In making the great effort of arrangements and adjustments for an important happy day, some women rush to their tailor’s on the morning of Diwali to receive their new blouse and to the launderer for the final pat of iron on the sari. All of this is for the outfit to make it to the evening puja. With the fall of dusk, every home lights up with diyas, the smell of mogra incense wanders over the sari. It looks bright and crisp, primed to be appreciated amongst other women who’d share and laugh about all the hustle they and their extended family of tailors and launderers went through. To appreciate this social-sari is to enter the world of the tactile, emotional, and intimate. Each sari has a family; the tailor is its birth-giver, the woman is its nurturer and the launderer is its caretaker. It is a multiverse of these lengthy textiles wrapped, washed, hemmed, handled where each piece becomes a memory of belongingness and tradition. The materiality of its weight, tactile nature, falls and drapes brings together many cultures and trades. This continuous yarn is spun through generations throwing light on the nature of its keeper. Making its journey through the lives of many, the sari weaves them together not just metaphorically but literally with textiles.

xxx Niyati Hirani